MEGGIE SCHNEIDER

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1'16 min. excerpt
VOYEURISM IN PRISON




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16windows

video installation for 16 windows

with 4 video loops, 26 LED panels, 1 video projector, 4 speakers, red foil, film footage from Rear Window (Hitchcock 1954), Super 8 and 16 mm found footage
© Meggie Schneider


Radialsystem V/ Berlin 2008

* window 1 / hall / rear window

PROXIMITY ATTRACTS ATTACKS
video loop/ 5min. / coulor

* window 2 3 / entrance / rear windows

LONELY IN COLUMNS
video loop/ 5 min. / colour/ sound

*window 4 / foyer / office box

VOYEURISM IN PRISON
video loop/ 32 min. / colour/ sound

*windows 5 6 7 8 / guesthouse

COUPLE IN PROJECTION
video loop/ 3 min. / colour/ sound

16 Fenster des Radialsystem V werden mit Bildzitaten aus Hitchcocks Rear Window (1954), mit Licht und roter Folie bespielt. Das Bildmaterial konzentriert sich auf die Szenen bei Nacht und verdichtet die Momente des Beobachtens, des Beobachtetwerdens und analysiert zugleich die Kamera als weiteren Voyeur.
Die Narration des zeitgebundenen Bildes wird durch den eigenen Rhythmus des Zuschauenden neu zusammengesetzt. Der Besucher, der das Haus umgehen kann, wird Betrachtender und Betrachteter zugleich.
Das Fenster als Schnittstelle zwischen privat und öffentlich, als Projektionsfläche, formal und persönlich. Der formale Aspekt der Projektion, hier der Rückprojektion, wird im Filmbild selbst durch das Verweben mit S8 und 16 mm Found Footage sichtbar und führt zu Fragen nach Wirklichkeit, Projektion und deren Verhältnis zueinander.
text Meggie Schneider


Concentrating on nocturnal settings, artist Meggie Schneider is presenting an installation focusing light, red colour and visualized quotations from Hitchcocks “Rear Window” (1954) in 16 different windows in and around the RADIALSYSTEM V.
Her installation questions the relation between reality and projection: Following the idea of the camera as a “voyeur”, the visitor – walking around the house, watching the window scenes – observes and is being observed at the same time. The windows are being turned into a transparent interface, separating and connecting the private from the public sphere - formal and textual, glances both ways, the eye the most eager organ of perception, and still not good enough to see it all.
text meggie schneider, translation gesa rindermann
translation Gesa Rindermann



After the Light: Moving Image displayed at Night

curated by Paz Aburto Guevara

When film appeared as a new art form in 1895 and before cinemas were being built, the first screenings in Berlin where shown at night in bars or public open spaces. After the Light: Moving Image displayed at Night returns the moving image to an open and social nocturnal setting at RADIALSYSTEM.V.. International artists, all based in Berlin and working with moving image, are premiering their film and video installations for the first time in Berlin. As soon as the natural light of the day disappears, the artistic light becomes alive, welcomed by the natural curtains of the night.


with Michel de Broin, "Owing to the absence", 2007, film, black and white
Reynold Reynolds, "After de Vernissage", 2007, film, colour
Reynold Reynolds, "Missing Berlin (Destroyed)", 2008, 3 projections, black and white
Ina Wudtke, "A Portrait of the Artist as a Worker (rmx.)", 2006, film, colour
Julien Maire, "Low resolution Cinema : Dissolved border", 2008, projection
Filipa César, "Allee der Kosmonauten", 2007, film, colour
Bjørn Melhus, "treehouse #2", 2008, video-installation
Daniel Urria, "Tropische Fische (simultaneous version)", 2008, film, colour
Cristóbal León, "Lucía", 2007, film, colour
Harun Farocki, "Transmission", 2007, film, colour
Meggie Schneider, "16 windows", 2008, Installation for 16 windows,
4 video loops



A project by RADIALSYSTEM V
supported by Cine Plus, Neue Medien Projekte,
COMA and Berlin GaLa Bau







Radialsystem V
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©2007 MEGGIE SCHNEIDER